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New York Arts and Attractions

NYC.com's guide to arts and attractions features comprehensive cultural listings on all New York museums, galleries, classical & opera, dance, universities, parks, parades & festivals, historic city sites, beaches, gardens and hundreds of other venues. Don't miss our list of top must-see sites!

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Symphony Space

Upper West Side

No, this is not home to a phantom orchestra! Symphony Space got its name when founders Isaiah Sheffer and Allan Miller took over the once-elegant but deteriorating Symphony movie theatre after a one day WALL TO WALL BACH free marathon concert in 1978, and decided to turn it into an adventurous Space for innovative arts events of all kinds. While Symphony Space does not have a resident orchestra, they are a multi-disciplinary performing arts center, offering a wide array of music, dance, literature, film, theatre, family and education programs. Since its founding in 1978, Symphony Space has become known for producing and presenting free and low-cost programs that represent the cultures of New York City in all their variety. They showcase the performing arts and literature at their liveliest and most accessible. Symphony Space builds each season around a diverse array of presentations, including: Wall to Wall - annual free music marathons, each celebrating an individual composer or musical genre Selected Shorts: A Celebration of the Short Story Repertory Film Series Bloomsday on Broadway - annual James Joyce tribute on June 16 Just Kidding! -- weekend-morning multi-art series for children ages four and older Dance Series - featuring a broad selection of contemporary choreography Selected Shorts: All Write! - adult literacy outreach program Curriculum Arts Project arts education program, which integrates the arts into the social studies curriculum in New York City's public schools Symphony Space programs reach the rest of the country through local and national public radio broadcasts of literary and musical events such as Selected Shorts and Wall to Wall, and through the sale of audiocassettes of the most requested stories from the Selected Shorts series. In addition to Symphony Space's own annual calendar of performances, an average of 40 not-for-profit organizations present 125 performances at Symphony Space each year. Many of these events are made possible through Symphony Space's Performance Subsidy Program, which assists selected performance groups by providing subsidized rental rates and a host of marketing and production services. Groups appearing regularly through the program include: New York Gilbert & Sullivan Players World Music Institute New Amsterdam Symphony Ballet for Young Audiences Shadow Box Theatre Manhattan Chamber Orchestra Approximately 100,000 people attend events at Symphony Space each year, half from the Upper West Side, Harlem and El Barrio, with the rest hailing from throughout the New York Metropolitan area.

Top of the Rock

Midtown

John D. Rockefeller, Jr. first opened the 70th floor Observation Deck atop 30 Rockefeller Plaza more than 70 years ago, to give something back to New Yorkers and their guests from around the world a place to appreciate and celebrate the city. The Observation Deck's original design was inspired by the decks of the great ocean liners of the era, complete with deck chairs, gooseneck fixtures and vents inspired by a ship's stacks. A trip to the Observation Deck was like setting sail in the heart of the world's most dynamic city. Closed for over twenty years, this breathtaking vantage point was reopened in 2006 and has been re-introduced to the people of New York. The space has been reimagined by by the architect Michael Gabellini and now offers a streamlined, uncluttered experience with panels of fully transparent, non-reflective safety glass allowing completely unobstructed, open-air views of the entire city. Gabellini blended modern materials with the deck's original elements like the custom "shot-sawn" limestone and cast-aluminum fleurs-de-lis that are signatures of the original design. The result is Art Deco grace combined with state-of-the-art technology and simplicity.

Queens County Farm Museum

Glen Oaks

The Queens County Farm Museum's history dates back to 1697, it occupies New York City's largest remaining tract of undisturbed farmland and is the only working historical farm in the City. The farm encompasses a 47-acre parcel that is the longest continuously farmed site in New York State. The site includes historic farm buildings, a greenhouse complex, livestock, farm vehicles and implements, planting fields, an orchard and herb garden. Grounds are open seven days a week, year-round from 10 am to 5 pm. Visit the Welcome Center to purchase goat feed, or go for a stroll around the farm to see the fields, livestock, vineyard, and farm implements. On Saturdays and Sundays guided tours are offered of the historic Adriance Farmhouse and seasonal hayrides (from April through October, weather permitting).

Brooklyn Cyclones at MCU Park

Coney Island

In the summer of 2001, the Brooklyn Cyclones were born, bringing baseball back to the borough after a 44-year drought. The team has gone on to win hearts and championships, helping to put Coney Island, and Brooklyn baseball back on the map! With Ocean Views, and the sounds of the nearby amusement centers, catching a Cyclones game is a unique experience regardless if you are a baseball fan or not! The Cyclones hold approximately 150-200 General Admission tickets for day of game sales. Those tickets are available when the box office opens at 10 am, and there are usually some people already on line. Depending on who the cyclones are playing, and if there is a promotional item that night, there can be a great demand, so we recommend that you arrive early.

Hammerstein Ballroom

Chelsea

Located in the historic Manhattan Center building, the Hammerstein Ballroom still stands nearly 100 years after it was first built as the Manhattan Opera House by Oscar Hammerstein I in 1906. Hammerstein built the opera house with the bold intention to take on the established Metropolitan Opera by featuring cheaper seats for the ordinary New Yorker. The Manhattan Opera house quickly became an alternative venue for many great operas and celebrated singers to make their debut. After four years, the Met could no longer withstand the competition and offered Hammerstein $1.2 million to stop producing opera for a period of ten years. He accepted the offer and began experimenting with different acts before eventually selling the building. In March of 1911, the Shubert brothers opened the hall as a "combination" house featuring vaudeville shows during the week and concerts on Sunday nights. Once again, the Manhattan Opera House provided entertainment for New Yorkers at prices that were much more affordable. Ownership changed again in 1922 when the Manhattan Opera House was purchased by the Ancient Accepted Scottish Rite of Free Masonry. The Masons built a new building façade as well as The Grand Ballroom on the seventh floor. In 1926, Warner Brothers chose to set up the Vitaphone sound-on-disc system in The Grand Ballroom to capture the 107-piece New York Philharmonic orchestra for the film Don Juan. This marked the release of the first commercial film featuring a recorded musical soundtrack. Today, more than 75 years later, Manhattan Center continues to be New York’s premier scoring stage due to its superior acoustics. The name of the building was changed to Manhattan Center in 1940, helping to attract many other types of events. The Manhattan Center became a hot spot for “big band” dances as well as trade shows, union meetings and other social functions. Among the diverse events held here throughout the decades that followed were radio broadcasts, recordings, and performances by the likes of Paul Robeson, Harry Belafonte, Perry Como, Leonard Bernstein, The Grateful Dead and Bob Marley. Manhattan Center Studios was formed in 1986 to develop the Manhattan Center into a venue capable of hosting multimedia events. Beginning in 1997, the Hammerstein Ballroom underwent a major face-lift to accommodate the demands for a premier event venue in midtown Manhattan. The 12,000 square foot Hammerstein Ballroom remains an elegant pre-war ballroom featuring a hand-painted ceiling mural, ornate woodwork and three balconies overlooking the main room and stage. The 75 foot high ceiling holds many rigging points for production décor and lighting options. Ties to the in-house audio recording studios and video control rooms make the space an incredible venue for productions, special events and webcasts by merging its theatrical past with modern technology. The space accommodates up to 2,500 people for receptions and theatrical productions and 1,000 people for a seated dinner. Today, clients include top business professionals and the best of the entertainment and cultural world. The beautifully renovated decor, superb acoustics and high level technical services are only a few of the attributes that contribute to the success.

Madison Square Park

Flatiron District

From the City of New York/Parks & Recreation Historical Signs Program: Madison Square Park is named for James Madison (1751-1836), a Virginian who was the fourth President of the United States (1809-17). Madison earned the title “father of the Constitution,” from his peers in the Constitutional Convention. He also co-authored The Federalist Papers (1787-88) with New Yorkers Alexander Hamilton and John Jay. Madison was Secretary of State from 1801-09, serving through both of President Thomas Jefferson's terms. As President, he was Commander-in-Chief during the War of 1812 with the British. Madison was the rector of the University of Virginia from 1827 until he died in 1836. The largest parcel of this land was first designated as public property when Royal Governor Thomas Dongan revised the City Charter in 1686. Since then, this area has been used for a variety of public purposes. A potter's field was established here in 1794, and then was moved in 1797 to Washington Square. By 1811 the land was home to a United States Army Arsenal (1806) and laid out as part of a military parade ground (named for Madison in 1814), bounded by 3rd and 7th Avenues and 23rd and 34th Streets. The arsenal fell out of military use, and served as a “House of Refuge” for juvenile delinquents from 1825 until 1839, when it was destroyed by fire. After being leveled, sodded, and enclosed, Madison Square Park opened to the public on May 10, 1847, with boundaries of Fifth Avenue and Madison Avenues and 23rd and 26th Streets. Citizens quickly claimed the public park as their own. Their protests against plans to erect the Crystal Palace here in 1853 resulted in its relocation to Bryant Park. Nevertheless, the park has been host to grand celebrations, replete with temporary decorative arches, to commemorate historic occasions and anniversaries such as the centennial of the signing of the Declaration of Independence in 1876 and the triumphant return of Admiral Dewey from the Spanish American War in 1899. The original Madison Square Garden was located adjacent to the park at Madison Avenue and 26th Street. It was owned by William Vanderbilt, and opened in 1879. The building was razed in 1899 and replaced with a Moorish style building designed by Stanford White. The second Madison Square Garden stood until 1925 when it was demolished and replaced by the headquarters of the New York Life Insurance Company. Promoter Tex Rickard built the third Garden that same year at 8th Avenue and 50th Street. Soon after the creation of the Department of Public Parks in 1870, the square was relandscaped by Ignatz Pilat, Chief Landscape Architect, and William Grant. The new design brought in the sculptures that now highlight the park. One of the works capturing a politician in bronze is Randolph Ranger's statue of William H. Seward (1876), the Secretary of State who purchased Alaska in 1867. He was the first New Yorker to have a monument erected in his honor. Others include J.Q.A. Ward’s sculpture of Roscoe Conkling (1893), a reconstructionist politician; and George Edwin Bissell’s monument to Chester Alan Arthur (1898), the 21st American President. War heroes are represented by James Goodwin Batterson's monument to General Worth (1854-1857), the Mexican War veteran who is buried just west of Madison Square, and the Admiral Farragut monument, Augustus St. Gaudens’ first major work that was dedicated in 1881 to the Civil War naval officer. Other features are the ornamental fountain (1867) and the Eternal Light Flagpole (1923). In an effort to recapture its tradition of splendor, Madison Square Park underwent a complete renovation and was reopened in June 2001. To recapture the park’s magnificence, Parks asked the City Parks Foundation to organize a revitalization campaign. Funds for capital construction were secured through $2.5 million from MetLife, New York Life Insurance Co., Credit Suisse First Boston, Rudin Management Company, Inc. and the Union Square Hospitality Group. These funds were matched by the city from the Mayor’s Executive Budget, City Council Speaker Peter F. Vallone, and Manhattan Borough President C. Virginia Fields. Most recently, an additional $750,000 was allocated by Mayor Giuliani for the renovation of the park’s playground in its northeast sector. The park now features an expanded south-east corner, lush lawns and flowering plants, a restored 19th fountain, a contemporary reflecting pool, new benches, and ornamental lighting. Additionally, the park’s $6 million permanent fund will provide for its ongoing security, maintenance, and programming in the years to come.

The National Arts Club

East Village

The National Arts Club is a private club whose membership is dedicated to furthering art and artists in America. They accomplish this by fostering educational programs and awards, while creating opportunities for artists to connect. The Club was founded in 1898 by Charles de Kay. Charles de Kay was the literary and art critic for The New York Times for 18 years. He and a group of distinguished artists and patrons conceived of agathering place for artists, patrons and audiences in all the arts. American art at the turn of the century had begun to look inward for inspiration, rather than to Europe, and the American art world was alive with energy. The National Arts Club is located in the historic Tilden Mansion. 15 Gramercy Park was built in the 1840's and its original flat-front, iron-grilled appearance matched the style of the houses still maintained on the west side of Gramercy Park. Samuel Tilden acquired 15 Gramercy Park in the 1860's, and in the 1870's gave the house a massive overhaul. Tilden hired Calvert Vaux, a famed architect and one of the designers of Central Park to "victorianize" the facade with sandstone, bay windows and Gothic Ornamentation. John LaFarge created stained glass ceilings for the inside of the mansion, and Italian wood carvers made the fireplaces. Glass master Donald MacDonald wrought a unique stained glass dome for the building. All of this prompted architect Philip Johnson to call the mansion, "among the most beautiful in New York." Spencer Trask and the Board of Governors acquired the Tilden Mansion in 1906 as the new home for the National Arts Club. The Tilden Mansion is both a designated New York Landmark and a National Historic Landmark. In the 1960's, New York declared 15 Gramercy Park South a New York Landmark, and in 1976, the Federal government declared it a National Historic Landmark. The Tilden Mansion continues to inspire artists from around the world. NAC member Albinus Elskus undertook a restoration of the MacDonald dome in the 1970's, and recently, in 2000, Danish sculptor Tycho Flore created a piece inspired by and from the same material as the Calvert Vaux facade. The National Arts Club admitted women on a full and equal basis from its inception. The National Arts Club has a long history of exclusivity through inclusivity. Charles Spencer Trask, Charles Rollison Lamb, Charles de Kay and the other co-founders recognized the importance of many female artists and saw no reason to treat them differently from male artists. The National Arts Club continues its tradition of inclusivity by welcoming minority artists and fighting for the rights of minority students. The Club's Membership has included three presidents, and some of the most important artists and arts patrons in America. Theodore Roosevelt, Woodrow Wilson and Dwight D. Eisenhower were all Members of the National Arts Club. Among the distinguished painters who have been Members are Robert Henri, Frederic Remington, William Merritt Chase and Cecilia Beaux. Sculptors have included Saint-Gaudens, Daniel Chester French, Anna Hyatt Huntington and Paul Manship. Many renowned literary figures have also been members. The National Arts Club is proud of its early recognition of new media artforms, like photography, film and digital media, and counts Alfred Stieglitz as one of its early Members. Musicians Victor Herbert and Walter Damrosch were Members, as were architects Stanford White and George B. Post. The Dramatic Arts are currently represented by Members Martin Scorcese, Ethan Hawke, Dennis Hopper, Robert Redford and Uma Thurman. The National Arts Club fosters young artists with a number of awards and scholarships. Many of the committees award scholarships to young artists, writers and singers. The Joseph Kesselring Award supports promising playwrights, some of whom have gone on to win Pulitzer Prizes. The National Arts Club Opera Competition attracts international applications. The Club is as committed to nurturing young talent as it is to recognizing established artists. The National Arts Club is run by volunteers. The National Arts Club hosts some of the most exciting events in New York—art unveilings, award dinners, film screenings, lectures, dances and anything else you can think of. All of these programs, as well as the scholarship competitions, exhibitions and other activities are coordinated by the Membership as volunteers who act out of their love for the arts and the Club, and thus broaden the public's understanding of our broad cultural community. Click on the schedule tab above to see what's currently on.

The New School for Jazz and Contemporary Music

Union Square

The New School for Jazz and Contemporary Music offers a unique course of study in which a passionately engaged faculty of professional artists, drawn from New York City’s renowned jazz community, guides serious and talented students toward high standards of achievement and the ongoing development of the individual creative voice. Our curriculum is based on the respected tradition of artist-as-mentor, and is taught by accomplished, active artists with significant links to the history and evolution of jazz, blues, pop, and new genres. Our students—the emerging performers, composers, and arrangers who will take their places among the best practitioners of jazz and its related genres—combine the expertise traditionally linked to conservatory training with the generative spirit and vigor of jazz. The school sees its mission as “respecting tradition, embracing innovation.” The widely varied backgrounds of both The New School for Jazz and Contemporary Music students and instructors — as well as curricular depth — have resulted in The New School for Jazz and Contemporary Music receiving international recognition as a leading center of arts education today. Bachelor of Fine Arts students do their core work in classrooms and private studios with exceptional musician-educators. Here they gain direct exposure to modern music's traditions and practices in an intellectual context that encourages exploration and innovation. Students in Jazz are also provided numerous opportunities for cross-registration in classes ranging from classical theory, composition, counterpoint, and musicology to music therapy, management, and liberal arts. The opportunity to take courses at Mannes College The New School of Music adds great depth to our students’ curriculum and provides an additional standard of professionalism against which students can measure their achievements and progress. Other divisions of The New School add a special dimension to our Jazz students’ educational experience. Jazz students may register for a range of arts and humanities classes through these divisions and program, and students are encouraged to participate in artistic collaborations and performances with them as well. And, of course, all of this enrichment takes place in New York City, whose vast cultural and intellectual environment offers unmatched opportunities for creative development and inspiration. Our curriculum is based on the age-old tradition of artist-as- mentor, and is taught by accomplished, active artists with significant links to the history and evolution of Jazz, blues, pop, and new genres. Our students — the emerging performers, composers, and arrangers who will take their places among the best practitioners of Jazz and its related genres — combine the expertise traditionally linked to conservatory training with the generative spirit and vigor of Jazz. With a large percentage of our students attending from outside the United States, New School Jazz is a truly multicultural universe. This environment extends past the walls of the school and into the streets and studios, clubs and concert halls of New York City – Jazz capital of the world. The New School for Jazz and Contemporary Music's primary goal is to provide students with a thorough technical, conceptual, and historical grasp of Jazz and contemporary music, employing a comprehensive curricular structure in which teaching takes place in three environments: In the classroom, where students are instructed in ensemble playing, instrumental music, music history, and related topics. In traditional, tutorial instrumental study, where students meet one-on-one with great Jazz and classical performers who live, work, and teach in New York City. (A partial list of current faculty - Click Here). In master classes apart from listed coursework, but integrated in the curriculum, which students attend regularly. These scheduled lectures/performances/workshops have featured artists including: Jon Faddis, Barry Harris, Lee Konitz, Wynton Marsalis, Jim Hall, and Jimmy McGriff among many, many others. The curriculum's core of interdisciplinary studies includes courses in performance, music history, and liberal arts, providing more flexibility and focus as students advance toward graduation. Senior students are afforded invaluable opportunities to apprentice with one or more Jazz and/or contemporary music masters, gaining realistic views of the musical forms through their daily applications and through close observation of the artists’ work and philosophy. The key to the success of New School Jazz lies in its use of experienced professionals to guide the intense involvement of students in the challenges of small group playing. Students in The New School for Jazz and Contemporary Music work with the creators, not just the interpreters, of Jazz and its offshoots — music that continues to stretch toward and reach ever-new expressive and artistic horizons.

Citi Field Stadium (Mets)

Shea Stadium

Citi Field, the new baseball stadium for the New York Mets next to the demolished Shea Stadium in Flushing, was completed in time for opening day in Spring 2009. Designed by Kansas City-based HOK Sport, an architectural firm specializing in the design of public assembly spaces and planning of major special events, Citi Field cost approximately $850 million to build, with $450 million of the costs being subsidized by public funds. The easiest way to get there is by #7 train to Mets/Willets Point. The ballpark features some of the widest unobstructed concourses in new sports facilities. Concession stands and restrooms are located within the facility's exterior walls, leaving the circulation areas with uninterrupted views of the field. Wider seats provide enhanced comfort throughout the venue while more space between the rows allows for improved legroom. The Concourse level features a 360-degree, circulatory walkway around the ballpark with expansive field views and ample standing room. Fans throughout the ballpark have access to multiple sit-down, climate-controlled restaurants, bars, clubs, and lounges, a majority of which will provide field views, and a wide range of menu choices. The Shake Shack in particular has been greeted with much enthusiasm. In early 2006 the New York Mets unveiled the official model for the new stadium and announced in mid-November 2006 that the stadium would be called Citi Field, named for Citigroup Inc. The financial services company agreed to pay $20 million dollars a year to the park for 20 years, making it the second major league sports venue in the area named for a corporate sponsor (the other being the Izod Center in New Jersey). Originally planned as part of New York City's 2012 summer Olympics bid, the stadium features unprecedented sightlines, amenities, and comfort for Mets fans, sports fans and visitors to the New York metropolitan area. Citi Field features natural grass, seating capacity for approximately 45,000 fans (slightly smaller seating capacity than Shea Stadium), and a contoured seating configuration that brings spectators closer to the field on all levels. This feature also provides a more intimate and entertaining experience throughout the park. 42% of the ballpark's seats are located in the Concourse (or lowest) seating level. Inspired by tradition, Citi Field is clad in brick, limestone, granite and cast stone, with the brick closely resembling the masonry used at Ebbets Field, both in color and texture. Exposed steel is painted dark blue and the seats are dark green in tribute to the Polo Grounds.

Brookfield Place

Brookfield Place, formally known as the World Financial Center, is a complex of office towers, high-end retail, and restaurants located opposite One World Trade Center. The Winter Garden, a huge and beautiful atrium stand as the center piece, with large glass windows facing West, looking out on to the North Cove - where many outlandishly large luxury yachts preen for the masses - and further out to the Hudson and New Jersey. Large open space links the walkways between Battery Park City and Hudson River Park. In warm weather restaurants open out-door seating, and the area proves to be an excellent spot to soak up rays and watch the city drift by. Great place to have a drink and watch the sunset. While home to the financial powerhouses Amercian Express and Merrill Lynch, as well as a few small boutique Investment Banks, the real draw is as destination spot for dining , shopping and entertainment. Concerts are held outdoors in warm weather, and in the Winter Gardens in the winter. Holiday events and ice skating are popular in the winter. In addition to its proximity to One World Trade and the 9/11 Memorial, nearby attractions include the Hudson River Park a lovely park along the river with a great playground and the Irish Hunger Memorial as well as an 11 screen movie theatre.

Radio City Music Hall

Theater District

Radio City, like New York, is a place of superlatives, built on grand scale. Since 1932, over 300,000,000 people have attended its innumerable events, concerts and shows, the most famous of which surely must be the annual Radio City Christmas Spectacular, starring the world-famous dancers, the Rockettes. The auditorium's extraordinary proscenium arch lends a striking presence that can be felt from any seat in the cavernous hall. A lengthy restoration project, finished in late 1999, led to the careful restoration of many intricate details, including the well-known "The Fountain of Youth" mural. In addition, Radio City notes that 675,000 sheets of metal leaf were used on the ceiling of the Grand Foyer, Promenades and undersides of the mezzanines.

City Hall

Tribeca

Completed in 1812, New York’s third City Hall building is surrounded by a restored park occupying a unique place in American history. The spacious and elegant interior of City Hall has seen many changes throughout the ensuing 200 years, particularly where office space was created for the ever-growing number of workers. But renovations to the public reception room, known as the Blue Room, where the Mayor gives news conferences, have carefully restored and augmented this magnificent space, evident in the decorative woodwork and marble mantelpiece as well as the tasteful furnishings. Portraits of Thomas Jefferson, and Mayor DeWitt Clinton, among other notables, grace the room. Group tours are available for groups of 12 or more and need to be booked in advance by calling (212) 788-6870. In the seventeenth century, when Federal Hall on Wall Street served as the seat of New York City and State government, the original City Hall Park was called the Flats. Executions as well as the burial of slaves and the impoverished took place there. A public reading of the newly-signed Declaration of Independence on July 9, 1776, at the Flats (also known as the Fields) led to a mob procession down Broadway to Bowling Green, where a statue of English King George III was hacked apart. After the Revolutionary War, the park’s landscaping was improved, and in 1803 the cornerstone was laid for the new City Hall. A painstaking restoration of City Hall Park, completed in 1999, restores its splendid 19th-century features; in particular, the Victorian fountain and surrounding gas bronze lamps anchor the park and reflect the grand history of America’s largest city. Flowering trees, flowerbeds and new landscaping give the park a scaled-down look, yet lend the area a more impressive and refined character. However, the new 21st-century security features, including new perimeter fences and ominous anti-terrorist devices have been roundly criticized for blocking pedestrians’ and protestors’ access, who in time-honored tradition complained bitterly: "You can’t fight City Hall." Atop the cupola of City Hall is a sculpture of Justice, the third commissioned for this building. Both the building and its exquisite sculpture contrast with the towering Municipal Building across Park Row, High atop the Municipal Building, an ornate gold-leaf statue of Civic Virtue shines brilliantly in the sun. While City Hall may be eclipsed by the massive Municipal Building, when considering the mayor’s stature over his city’s bureaucrats, the reverse has always been true. Do combine your visit to City Hall with a peek at the refurbished Tweed Courthouse behind it on Chambers Street. Tweed Courthouse now functions as the headquarters of the Board of Education, and was the most expensive public-works building ever constructed in American history. Cost overruns in the nineteenth century were extraordinary; cost overruns during the year 2000 reconstruction were another story entirely!

Rockefeller Center Christmas Tree

The Rockefeller Center Tree Lighting ceremony is always a fun event, full of pomp and celebrities, and usually occurs in very late November or early December. Thousands attend the initial lighting. Admission is free on first come first serve basis, so if you want to be part of the festivities and have a good view, bundle up and get there early! More than 30,000 multicolored, 7 1/2-watt bulbs arestrung on over 5 miles of electrical wire to decorate the tree. Each branch is individually wrapped to achieve the full lighting effect and there were no other ornaments on the tree except for the star on top. An integral part of the success of the event begins with a search for the perfect tree. All year around, people from all around the USA write in with photos of their trees offering them to Rockefeller Center. The desired dimensions are a minimum of 65 feet tall and 35 feet wide, although the tree is usually over 75 to 90 feet tall. This means the tree is typically a Norway Spruce, a native to Northern Europe not America. However, many Norway Spruce have been planted in the United States ornamentally, and have grown to large sizes. And because they grow approximately one foot a year this means the tree may have been planted by your Grandfather! Once the tree is cut and moved carefully off its stump, the head gardener for Rockefeller Center counts the rings, to get a more accurate measure of its age. The tree travels on a custom-made, telescoping trailer, which can stretch to 100 feet and could accommodate a tree up to 125 feet tall. It takes 15-20 people and a 280-ton, all terrain, hydraulic crane to handle the tree. The same crane is used to erect and remove the tree from its place of honor at Rockefeller Center. The tree is transported from its home to New York City, and then travels in the middle of the night with a police escort on a route designed to disrupt as little traffic as possible. The route is carefully planned with the assistance of local police and those in Manhattan. The Rockefeller Center Christmas tree is located in the Plaza center, at 50th Street and 5th Avenue The tree may be viewed around the clock, but you will want to see it when it is lit.

Six Flags Great Adventure

Six Flags Great Adventure has more rides than any other theme park on the planet, including 13 amazing coasters like NITRO and Superman-Ultimate Flight. Of course the park also offers shows, concerts and other sundry attractions. And right next door you'll find Six Flags Wild Safari, the largest drive-thru safari outside of Africa. Six Flags Great Adventure, Wild Safari and Hurricane Harbor are conveniently located between New York and Philadelphia, approximately 1/2 hour from the Jersey Shore. Click on Map and Directions for more detailed travel instructions.

Staten Island Ferry

New York’s waterways are once again thriving, and aside from the profusion of new ferry services, this old reliable standby still plies the water between Staten Island and Manhattan around the clock every day of the year. Best of all, it has been free of charge since 1997. Take a ride from new Whitehall Terminal in Lower Manhattan, located near Battery Park, to Staten Island and enjoy the panoramic views of beautiful New York Harbor and Lower Manhattan. The ride takes about 25 minutes in either direction. The ferry runs as frequently as every 15 minutes during rush hour, and slows to hourly service late at night. Bicycles can be transported free of charge. At present, no passenger cars are allowed due to security regulations. The Staten Island Ferry has been a municipal service since 1905, and currently carries over 19 million passengers annually on a 5.2-mile run between the St. George Terminal in Staten Island and the Whitehall Terminal in lower Manhattan. Service is provided 24 hours a day, 365 days a year. The Staten Island Ferry is the most reliable form of mass transit, with an on-time performance of over 96 percent. A typical weekday schedule involves the use of five boats to transport approximately 65,000 passengers daily (104 daily trips). A four-boat (15 minute headway) rush hour schedule is maintained. Terminals are cleaned around the clock and routine terminal maintenance is performed on the day shift. On weekends, three boats are used (64 trips each weekend day). Over 33,000 trips are made annually. There are two other nearby ferry service of interest, both operated by the National Park Service. One runs to Liberty and Ellis islands, and one round trip ferry ticket includes visits to both the Statue of Liberty and Ellis Island. Note that there can be very long lines and waiting periods in the busy summer months. Make sure to read all about the Financial District and its fascinating history in our Visitor Guide. The other ferry makes a short trip to Governors Island. This ferry is seasonal and departs from the Battery Maritime Building located at 10 South Street at the corner of Whitehall and South Streets (next door the Staten Island ferry terminal).

Madison Square Garden

Chelsea

New York's premier sports arena located atop Penn Station dates back to the late 19th century and has gone through several makeovers since then. Home to the New York Knicks, the New York Liberty and the New York Rangers sports teams, the Garden also serves as a destination venu for all sorts of events. Some notable celebrity performances of yesteryear have included Elvis Presley, Billy Joel, Bob Hope, Bruce Springsteen and Barbra Streisand. And the band that's played there more than any other? The Grateful Dead. As for what is happening today, just click on the schedule link! Insider TipMadison Square Garden’s All Access Tour allows fans to get an insider’s view of the inner-workings of the World’s Most Famous Arena, providing them with little-known information and rarely seen viewpoints on the legendary showplace. Visitors taking part in the “All Access” one hour tour become a part of one of the busiest and most exciting sports and entertainment facilities in the world and are treated to a host of unique experiences. Visit the Knicks, Rangers and Liberty locker rooms; tour backstage of the Theater at Madison Square Garden; go inside the Star dressing rooms; learn how a basketball court becomes a sheet of ice; witness all the seldom seen build-up to a live event – players practicing, performers in production, casts in rehearsal or crews staging events! You’ll never know what you’ll see on the All Access Tour. Visit their website for up-to-date information on times and price.

Carnegie Hall

Midtown

This world famous concert venue is a New York City landmark and must-see music attraction. Carnegie Hall presents classical, jazz, folk, world, and popular music with breakthrough and veteran performers. Since opening in 1891, this concert hall has become the emblem of musical achievement around the world; and has showcased the world's finest artists—from Tchaikovsky to Mahler, Horowitz to Callas to Bernstein, even Judy Garland and the Beatles. Experience a concert, take the tour or visit the Rose Museum all at Carnegie Hall. Come share in the history of America's most famous concert hall! The three major halls housed in the complex are: Isaac Stern Auditorium The largest hall at Carnegie Hall, dedicated the Isaac Stern Auditorium in 1996, has been the premier classical music performance space in the United States since its opening in 1891, showcasing the world's greatest soloists, conductors, and ensembles. Throughout its century-plus history, it has also hosted important jazz events, historic lectures, noted educational forums, and much more. Designed by architect and cellist William Burnett Tuthill and renovated in 1986, the auditorium's striking curvilinear design allows the stage to become a focal point embraced by five levels of seating, which accommodates up to 2,804. The auditorium's renowned acoustics have made it a favorite of audiences and performers alike. "It has been said that the hall itself is an instrument," said the late Isaac Stern. "It takes what you do and makes it larger than life." Joan and Sanford I. Weill Recital Hall Located on the third floor of Carnegie Hall, the Joan and Sanford I. Weill Recital Hall is an intimate auditorium ideal for recitals, chamber music concerts, symposia, discussions, master classes, and more. Seating 268 people, the elegant auditorium evokes a Belle Epoque salon and is "remarkable for the symmetry of its proportions and the beauty of its decorations," according to a review from 1891, when the hall was known as the Chamber Music Hall. In 1986, the Chamber Music Hall was renamed in recognition of the generosity of the Chairman of the Board of Carnegie Hall, Sanford I. Weill, and his wife, Joan. Judy and Arthur Zankel Hall The Judy and Arthur Zankel Hall opened in September 2003 as the site of a broad spectrum of performing and educational events. When it first opened its doors In 1891, Carnegie Hall comprised three auditoriums: the Main Hall, the Chamber Music Hall, and the Recital Hall, located underneath the Main Hall. The Recital Hall was leased to the American Academy of Dramatic Arts in 1895 and was used as a theater by various groups until the early 1960s, when it was converted to a cinema. In 1997, a process began to reclaim the space for its original purpose, and construction began to create a versatile auditorium generally seating 599, with alternate stage configurations of different capacities. Zankel Hall is named in honor of the generosity of Carnegie Hall Vice Chairman Arthur Zankel and his wife, Judy. History: Somehow 57th Street between Fifth and Seventh Avenues has always managed to strike an urbane balance of activity, attractions, hotels and restaurants without the hustle or garish neon of the rest of Midtown. While the many art galleries have a magnetic draw on the sophisticated crowd during the day, Carnegie Hall has the intense pull in the evenings. In the late nineteenth century, the wealthy steel magnate, Andrew Carnegie, was a member of the board of the Oratorio Society, whose German immigrant founder, Leopold Damrosch, desperately sought a benefactor for a large concert hall. After Leopold’s death, his son Walter convinced Carnegie to fund the venture; some years later, Damrosch’s dreams were realized when Carnegie Hall opened on May 5, 1891. Numerous legendary titans of classical music of the past hundred years—including, Dvorák, Mahler, Prokofiev, Saint-Saëns, Strauss and Tchaikovsky—conducted and/or premiered their works at Carnegie Hall. Jazz greats such as Duke Ellington, Dizzy Gillespie, Benny Goodman, Count Basie and Billie Holiday peformed innumerable concerts here. Its larger-than-life conductors have included Leopold Stokowski, Arturo Toscanini and Leonard Bernstein. The 1950s were a difficult period for Carnegie Hall; its location and very existence were called into question by the plans to construct nearby Lincoln Center. Demolition was fortunately prevented through the timely purchase of the Hall by the City of New York and the formation of the Carnegie Hall Corporation. The 1970s saw an increasing number of rock artists performing here, and major renovations were undertaken in the 1980s. Into the 1990s and beyond, Carnegie Hall continues every season to offer diverse and superior programming. This area of 57th Street has several tourist draws in the food category that are perennial favorites, whether the simple yet polished Café Europa; the beloved, flamboyant Russian Tea Room; the loud and showy Hard Rock Café, complete with a cadillac jutting out from the façade; and a popular theme restaurant, the Jekyll & Hyde Club. Several boutique and larger hotels compete for the tourist crowd—little wonder the area is so popular!

Bryant Park Film Festival

Outdoor movies in Bryant Park has become an NYC institution. Think drive-in for sophisticated picnickers and you’ll begin to get the idea. Veterans know the drill: Secure your gourmet deli food and top shelf wine early in the day. Arrive by 4:30PM and join the 5:00PM land-rush for spots on the grass in front of the 20 feet high by 48 feet wide screen. Begin socializing and dining and, alas, expect the conversation to continue through the glory that is 35MM film. Drinking of all stripes—whether it's beer or wine from 'wichcraft or something you've brought with you—will be allowed at the festival this year! For the protection of all attendees of the Film Festival, there are changes to how movie-goers access the Lawn Area (the Lawn and surrounding gravel area). The gravel area surrounding the Lawn opens at 4:00pm. The Lawn opens at 5:00pm.* * Entry to the Lawn Area is only permitted at the 6th Avenue side of the park (near the screen). * Wheelchair access to the Lawn Area is accessible through the ramps at the eastern end of the Lawn. (Ramps are on both the 40th and 42nd Street Allées). * All packages, bags, briefcases, backpacks, etc. will be inspected. * There are two entry points on either side of the Fountain (north and south side). Each side will have two entry points: one for those with packages, bags, etc. and a separate entrance for those without. * Should you leave the Lawn Area, all packages, bags, etc. will be inspected again upon re-entry. The checkpoints are necessary to safeguard all those in attendance at the HBO Bryant Park Summer Film Festival. Want more?! Check out our complete list of Outdoor Film Screenings.

New York Stock Exchange

Financial District

The venerable and bustling madhouse at the center of global finance, the New York Stock Exchange, is no longer open to the public.

Cathedral Church of St. John the Divine

Morningside Heights

The world's largest Gothic cathedral, St. John the Divine has been an extraordinary presence in New York since the first cornerstone was laid in 1892. Construction foundered after World War II, and not until the leadership of the Very Rev. James Parks Morton did building continue in earnest. By building a stone quarry and reviving the art of stone craft, Rev. Morton also emphasized the hiring, training and employing of locals from the neighborhood, and construction proceeded through the 1980s. Now two-thirds complete, it is unclear whether and when building the Cathedral might be finished. However, since the great cathedrals of Europe often took hundreds of years to complete, why rush? Stop in to admire the Cathedral's immense arches, Gustavino dome, the stained glass (some panes with modern themes such as the television in "The Communications Bay"), seven chapels, and tremendous interior length, exceeding that of two football fields.

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